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Kyle Gray’s friend Travis Hill provided the perfect “narrator” voice, with a welcome bit of Phil Hartman smarm.Ģ2. Little Inferno has always been a difficult game to describe, so we knew we needed a short, simple way of communicating what it was all about. Listen carefully – my handsome and talented boyfriend is on cello! It’s the only real instrument used in any of the tracks. So it needed to be adorably flamboyant, in her style, with her melody. Miss Nancy was on a similar journey as the player, and this is her turn to do what the player is in the process of doing. Music for folks who like to make spreadsheets, check things off lists, and tango by the book. “Is it rising or is it setting?!” The upcoming Tomorrow Corporation “Gates” sequence is teased here. Incident on the Other Side of the WallĪ mystery character, staring at the Tomorrow Corporation sun logo. Still her melody and instruments, but over different chords, and with the beginning part flipped vertically, sort of?ġ1. This one took only a minute or two to create! A relief, compared to the thought and hand wringing that the other tracks required. Musical effects for items were fun to write because the stakes were so low and nobody cared if they sucked. The Weatherman, everyone’s favorite character! There’s a reason his theme is the same as the game’s theme (with different instrumentation). I needed a melody that could withstand the transition along with her character, throughout each of her four tracks. But as the game progresses, she becomes more and more aware of her (and your) situation. Players are supposed to disregard her as a lame NPC sending you useless letters, like in Animal Crossing.
She’s a character that’s supposed to be, initially, totally vacant. The Sugar Plumps tracks were some of the most difficult to write. We’ll hear this melody again, twisted up, in “Gate Operator, Open the Gates!” and “Miss Nancy Remembers”. She’s like a nice fluffy couch that you can’t climb your way out of. Miss Nancy is large, warm, and smells like cinnamon. For a long time, we weren’t sure which face of the game to portray in the opening sequence, but eventually decided on this one. Little Inferno is a quiet introverted art project masquerading as a loud extroverted shopping game.
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If you would like new or existing music for a project you are working on, feel free to contact me.Įverything you need to know about Little Inferno is here.
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That means this music is not for use in other movies, games, tv shows, etc.
mp3 – high quality but lossy variable bitrate, most compatible for most playersĪlthough I am providing this soundtrack here for free, it is still a copyrighted work just like any CD you might buy in a store.flac – best quality, lossless, best option for audio nerds.Please link to this page, not directly to the files below. You can find my World of Goo soundtrack here. I also used a few instruments from the ambitious open source Sonatina Symphonic Orchestra. Almost all instruments are from my collection of old SoundFont2 files, converted to SFZ format with sfZed, and played back with the free SFZ sampler. Weirdly, though, it has no form of classic staff notation, which was disorienting at first, until I got used to clicking notes into a piano roll. It was my goal with this soundtrack to write music that sounded like it could have been written in that time of VHS tapes and Stan Winston special effects, with clear, hummable melodies for each character and theme.įor the curious musicians reading this, I used a music program called Reaper to create all of the music – a lightweight DAW that’s less than 8MB, fast, and well designed.
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I’m a big fan of movie music from the 80’s and 90’s – like John Williams (1993 was his most amazing year), Danny Elfman’s 90’s heyday, Vangelis in the early 80’s – all with strong melodic themes and instantly identifiable orchestration.
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Thank you to everyone who asked about the soundtrack to Little Inferno! It’s been fun and educational putting this together, and I’m happy to make the full soundtrack available here, below, for free.
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